So, it appears a new migration from Twitter to Bluesky is underway. It appears to be some of the most virulent former 4chan users possible. Yep, I got off Bluesky just in time, lol. I’ve been keeping tabs on a particularly virulent and toxic subgraph on Twitter for years. It pretty much stayed off Bluesky because they couldn’t act like abusive dumpster fires there. Welp, looks like they’re becoming more active on Bluesky. It’s not looking good over there.
That they are on the move says something. It’s sort of like how the US is suddenly a place that is hospitable to measles. It was all but eradicated here.
My husband likes to say that you can tell where not to be by where I am looking from somewhere else. I like fires. So if I am observing your platform or community from a distance, you probably don’t want to be there.
Edit:
I had originally posted the above on a now-defunct federated blog. It got blasted to Mastodon. Someone replied and asked what I think is causing this. I debated actually answering, then decided that I’ve had enough of the dumpster fire that is social media. I decided not to wade through social media tech discourse into what will mostly likely be an Internet argument with a complete stranger. I am a techie dragon, and I engage with things to learn how they work so I can tinker with them. I only engaged with tech discourse to get my hands on how the tech works. There’s nothing in it for me to be part of larger conversations. Arguing with random strangers on social media is not an epistemically useful format. I do think I should answer, though. Just on my blog.
I treat social media like I do an addictive substance. I do not believe in abstinence, but I do believe in harm-reduction paradigms, so when I see everyone overdosing on social media, I pull back and shut down a lot of accounts. The Fediverse instance where the first part of this blog post was posted has been taken down, moved to this blog, and this section appended to it.
I often use the word weeb pejoratively. Here, I am using it categorically. There really isn’t an “official” name outside of otaku or weeb culture. I am at the fringes and intersections of it as a furry. My husband is a millennial weeb. With that being said—
The migration is in large part because Bluesky is capturing the otaku/weeb niche of X. X hosted networks that were ecosystems of “anime fans.” These included anime and manga artists, doujin and hentai artists, VTuber fans, NSFW illustrators, fandom shitposters, niche fetish communities, and other chronically and extremely online content creators and influencers. That culture relied heavily on timelines, informal networks, and discovery through reposts, replies, and algorithmic amplification.
Elon Musk pretty much destabilized X’s ecosystems and social networks from multiple directions at once. Algorithm changes made reach inconsistent. Moderation created anxiety and uncertainty about what would get suppressed or unintentionally “viral”. Bots, engagement farming, and blue-check reply spam actively poisoned fandom conversations.
Bluesky is the memetic and cultural progeny of early imageboard cultures. I conducted a phylogenetic analysis of the memetics, which you can check out here:
Bluesky is a competitor of X for otaku and fandom communities. Bluesky has a lot of the aspects of old Twitter dynamics around which fandom culture evolved. Recently, Bluesky introduced something big in those communities: going live. Since X is no longer habitable for weebs, they are moving to Bluesky.
For example, the AT protocol already has PinkSea:
And, of course, there is WAFRN:
I cope and deal with issues via personal, private sublimation and not so much exhibitionism of my art or consumption of art. So, while I do make comic books and do a shit ton of weeby art, it’s for the purpose of sublimation, so I’m not too interested in being a part of a community. That’s a large reason I am not active in those spaces. I’m quite cynical, in general, so I am suspicious of any community — and I mean any community, at all. Honestly, I am mildly contemptuous of mass participation or any sense of belonging. So, my art stays private, because it is created for me – and just me.
